Tuesday, May 21, 2013

Human-like opponents lead to more aggression in video game players

May 20, 2013 ? Video games that pit players against human-looking characters may be more likely to provoke violent thoughts and words than games where monstrous creatures are the enemy, according to a new study by researchers at the University of Connecticut and Wake Forest University.

"The Perception of Human Appearance in Video Games: Toward an Understanding of the Effects of Player Perceptions of Game Features," published in the May 2013 issue of Mass Communication and Society, comes as lawmakers and the public are freshly debating the possible risks that violent games may pose to impressionable players.

"It's important to think in terms of risk factors," says Kirstie Farrar, associate professor of communication at UConn and the lead researcher on the study. "The research clearly suggests that, among other risk factors, exposure to violent video games can lead to aggression and other potentially harmful effects."

In the study, 148 participants played the first-person shooter Quake 3 Revolution, in which the gamer battles onscreen opponents whose appearance can range from human-like to completely non-human, such as a giant floating eyeball. Farrar and colleague Rory McGloin, an assistant professor-in-residence, along with Wake Forest professor Marina Krcmar, a former UConn faculty member, then used a series of tests to measure participants' levels of verbal, cognitive, and physical aggression.

Participants who battled what they perceived as human-looking characters in the game were more likely to have aggressive thoughts and words than those who had shot down monstrous nonhuman characters.

"The more human players perceived the aggressive targets to be, the more verbally aggressive they were and the more violent words they generated," the study says. "Although we predicted that less human targets would result in more aggression, players seemed to be more aggressive after perceiving more human targets."

The prospect that fighting human-looking characters can provoke more aggression than unleashing violence against characters with no real-world counterparts could have implications for debates over gaming, especially as video games become more sophisticated and immersive, Farrar says.

"A lot of games are becoming incredibly easy to customize now," she said. "I can upload pictures of myself into a game, for example. Or I can upload pictures of people I don't like."

But the study also notes there was no significant increase in levels of physical aggression after fighting human-looking video game characters, something that suggests social prohibitions against violent acts remain strong.

"There are obvious consequences for physical violence," McGloin says. "But we're much more tolerant as a society of aggressive thoughts, as long as they don't lead to aggressive behavior."

Farrar and McGloin have plans to develop the research, including a study that uses realistic-looking gun-shaped controllers to see if that has any effect on players' aggression. They also want to research more fully whether playing frequently changes how gamers react to violence in video games. In previous work, the researchers found that frequent players of violent video games are more aggressive overall and more attracted to violent games.

As lawmakers in Connecticut and elsewhere contemplate studying the effects of violent games, the researchers say that the more data available, the better.

"We can talk about violent video games and aggression all day, but we need to be careful," McGloin says. "We're not going to find one answer and be able to say, 'This game's good, this game's bad.' It's never going to be that simple."

Source: http://feeds.sciencedaily.com/~r/sciencedaily/top_news/top_technology/~3/MGYciqx-Cmo/130520163904.htm

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Session's last day arrives for Minnesota lawmakers (Star Tribune)

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Obama voices concern to Lebanon on Hezbollah role in Syria

WASHINGTON (Reuters) - U.S. President Barack Obama told his Lebanese counterpart on Monday he was concerned about Lebanese Hezbollah militants fighting in Syria to support Syrian President Bashar al-Assad, the White House said.

Obama and Lebanese President Michel Suleiman spoke by telephone the same day Syrian activists said about 30 Hezbollah fighters and 20 Syrian soldiers and militiamen loyal to Assad had been killed in the fiercest fighting this year in the rebel stronghold of Qusair.

Lebanon has maintained a policy of "dissociation" from Syria's 2-year-old conflict. But many Lebanese officials believe their country is at risk of being dragged into the civil war, which the United Nations says has killed 70,000 people.

"President Obama expressed his appreciation to President Suleiman and the Lebanese people for keeping Lebanon's borders open and hosting refugees from Syria, and pledged continued U.S. support to help Lebanon manage this challenge," the White House said in a statement summarizing their phone call.

It said the two leaders agreed that "all parties should respect Lebanon's policy of disassociation from the conflict in Syria and avoid actions that will involve the Lebanese people in the conflict."

Sunday's death toll in Qusair highlighted the increasing intervention in Syria by Assad's allies in Hezbollah, a Shi'ite guerrilla group originally set up by Iran in the 1980s to fight Israeli occupation troops in south Lebanon.

"President Obama stressed his concern about Hezbollah's active and growing role in Syria, fighting on behalf of the Assad regime, which is counter to the Lebanese government's policies," the White House said.

Lebanon suffered its own civil war from 1975 to 1990 and endured a military presence by Syria, its historically dominant neighbor, for 29 years until 2005.

(Reporting By Matt Spetalnick; Editing by Doina Chiacu)

Source: http://news.yahoo.com/obama-voices-concern-lebanon-hezbollah-role-syria-193204027.html

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New! Gift Certificates to Two Locations of Polished Image Auto ...

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Source: http://www.allbusinessbarter.com/2013/05/20/new-gift-certificates-to-two-locations-of-polished-image-auto-detailing/

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Cole Smithey - Reviews: Freddy Got Fingered

? THE GREAT GATSBY | Main

Freddy Got Fingered

Freddie Got FingeredIn this sadly unloved comedy, class clown extraordinaire Tom Green brings his anti-establishment performance art comedy to a recurring boil with a movie that combines a punk rock esthetic with acted-out cartoon abandon. Where most gross-out comedies sink in their own toilet humor, "Freddy Got Fingered" soars because of Green?s sincerely committed imagination, curiosity, and irony-free execution of comic stunts that frequently involve oral fixation, word play, or Green?s bizarre take on large animals' naughty appendages. Non sequitur comic gags involving skateboard ramps, salamis, a British Bobby uniform, and a cordless phone play out behind cartoon animator hopeful Gord Brody?s (Green) attempts at finding his niche in society, thereby making his father (Rip Torn) proud. Green masterfully achieves his goal of "confusing audiences enough to enjoy" his signature brand of demented comedy with a heart of gold. It?s a movie that works perfectly on its own terms, much like a Swiss watch in a doghouse overrun by bees and monkeys.

Tom Green is a comic genius. Audiences familiar with his MTV show know the twisted magic that pops out the lanky prankster with unrelenting regularity. As director, Green layers songs from punk music standard bearers The New York Dolls and The Sex Pistols to fuel his irreverent vision while subtly commenting on the scene at hand. The Pistol?s song "Problems" becomes an opening power chord statement for the movie as Gord skateboards through a shopping mall while being chased by irate security guards. Gord pulls off a few skating flourishes to show mocking grace under pressure before catching up with his parents who are waiting to see their boy off to Los Angeles to pitch his cartoon ideas and make something of his life.

Dad and mom surprise Gord with a blue convertible Le Baron that instantly becomes an award of favoritism that the 28-year-old Gord flaunts over his 25-year-old brother Freddy (Eddie Kaye Thomas). Freddy is as straitlaced and dull as Gord is unpredictable and wild. It?s a classic sibling rivalry that goes beyond crisis when, after Gord?s dad Jim ruins his skateboard ramp, and Gord responds by accusing daddy of "fingering Freddie" to a family counselor. In this way, Gord pits authority on itself and wins a victory over his brownnosing brother and his overbearing father. Sure it?s a last ditch mean-as-snakespit thing to do, but Gord seizes the opportunity like the underestimated no holds barred man-boy that he is. Gord doesn?t want to be taken seriously, he just wants to be taken (as in accepted).

After meeting with failure in getting a top L.A. television executive to hire him, Gord returns home to Portland to further incubate in his parent?s house. On a day that Gord is supposed to be out looking for a job, Jim returns home to find Gord wearing one of his suits backward while holding a briefcase in front of a full length mirror and repeating a ditty to the effect of, "I?m a backward man, I?m a backward man." The scene is loaded with humor as Gord lies about having secured a job with a computer company to his overjoyed father before going back to his self entertaining mirror act.

The character that the movie turns on is Gord?s adorable love interest Betty (Marisa Couglan - "Teaching Mrs. Tingle"), a paraplegic nymphomaniac who also happens to be an amateur rocket scientist. Betty can?t get enough of having Gord cane her lifeless legs or letting her give him oral sex. It?s through Betty?s bottomless inspiration that Gord is able to turn his personality crisis into a successful career as an animator and finally reconcile the differences he has with his dad.

By that time Gord has perhaps fondled one too many animal penises (once while repeating "I?m a farmer, I?m a farmer"), and spent a little too long getting intimate with an umbilical cord (by duct taping a piece of umbilicus to his navel that gets discovered by Betty), or a roadkill deer (which he guts and wears on his head). What?s important is Tom Green?s priceless comic delivery, quick to the mark timing, and daredevil sense of humor. When Gord tries to impress Betty at a nice restaurant by pretending to be a stock market consultant, he uses an out of date cordless phone with a tape recorder to fill in as a cell phone. Gord?s haiku rendition of the stock market is in a league of its own. For every person who walks out of "When Freddy Got Fingered," there will be two hundred others howling in laughter.

Rated R. 87 mins. (A) (Five Stars - out of five/no halves)

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Posted by Cole Smithey on May 20, 2013 in Comedy | Permalink

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Source: http://www.colesmithey.com/reviews/2013/05/freddy-got-fingered.html

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Republicans informed of IRS investigation last year

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Much has been made of the fact that senior Treasury Department officials were told about the investigation into the treatment of tea party groups in June 2012 - months before last year's the Presidential election. Republicans who requested the investigation were also told about it at approximately the same time.

In a letter dated July 11, 2012, the man who conducted the investigation - IRS inspector general J. Russell George - wrote to Rep. Darrell Issa, the chairman of the House Committee on Oversight and Government Reform, telling him that he was investigating the issue and offering to keep him updated as the investigation progressed.

"The Oversight Committee knew about the audit because it requested it," an Issa aide told ABC News. Issa released the letter, along with his own letter dated June 28, 2012 requesting the investigation, last week.

RELATED: Congress Grills IRS Commissioner

"We would be happy to provide a status update to the Subcommittee staff and provide a copy of our interim and final reports on the matter when they are issued," George wrote in the letter to Issa. An identical letter was also sent the Rep. Jim Jordan, who, like Issa had raised the issue with the IRS.

The letter notes that it was Issa who had written him about "questionnaires that the IRS has issued which may exceed appropriate scrutiny and a potential lack of balance in the use of criteria for reviewing organizations that are applying for tax-exempt status." George offers no confusions but says, "our Office of Audit recently began work on this issue."

According the Issa aide, the committee received an email update from George in December saying, "We are leaving no stone unturned as part of our due diligence. As such, we won't be able to provide a detailed, substantive briefing until late April/early May."

RELATED: Acting IRS Chief Resigns, Obama Condemns 'Inexcusable' Targeting of Tea Party Groups

On Friday, in his testimony before the House Ways & Means Committee, George said he had notified top Treasury officials - including Deputy Secretary Neal Wolin - about his investigation in June 2012, part of a routine briefing on the issues he was looking into.

Republicans pounced on that revelation as evidence top Administration officials knew about the targeting of conservative groups well before the 2012 election. It is now clear that at least some key Republicans knew about the investigation as well.

While George informed Treasury officials about the fact he was conducting the investigation in 2012, the Treasury Department says he did not go into detail about his investigation or tell them about his conclusion that IRS had improperly targeted conservative groups. Similarly, the letter to Issa says the investigation had begun but does not say that it had uncovered any wrongdoing.

Also Read

Source: http://news.yahoo.com/republicans-informed-irs-investigation-last-125615676--abc-news-politics.html

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Monday, May 20, 2013

'Star Trek' boldly goes to $84 million at box office

Movies

10 hours ago

Zachary Quinto as Spock and Chris Pine as Kirk in "Star Trek Into Darkness."

Paramount Pictures

Zachary Quinto as Spock and Chris Pine as Kirk in "Star Trek Into Darkness."

Paramount and Skydance Productions' "Star Trek Into Darkness" topped the box office chart with a solid four-day opening of $84.1 million -- even if it didn't engage warp speed and hit $100 million.

Overseas, the J.J. Abrams-directed tentpole took in another $40 million over the weekend for an early global total of $164.6 million, including $80.5 million internationally. The 3-D pic, playing in 40 markets, tied with "Iron Man 3," which took in $40.2 million in its fourth weekend.

But it was Baz Luhrmann's "The Great Gatsby" -- benefiting from being the only female-skewing event pic -- that topped the foreign chart, grossing a solid $42.1 million as it opened in 49 markets following its international premiere at the Cannes Film Festival May 15.

There was plenty of action overseas all the way around. Universal's "Fast & Furious 6" tore out of the gate as it debuted in the U.K. and Ireland, grossing $13.8 million to score the biggest opening ever for a Universal title in those countries and boding well for the film's domestic bow over Memorial Day weekend and its continued expansion offshore.

Heading into the weekend, many box office observers believed "Into Darkness" had a shot at hitting $100 million in North America, easily outpacing the $79.2 million opening of Abrams' 2009 "Star Trek," which reinvigorated the sci-fi film franchise. Paramount had hoped for $100 million, but hedged its bets by estimating an $80 million to $100 million debut.

VIDEO: "Star Trek Into Darkness" Trailer: The Enterprise Is "Dead"

Paramount vice chairman Rob Moore said he was "extremely pleased" with the sequel's performance, both domestically and internationally, where the studio waged a massive marketing campaign to improve the franchise's standing ("Star Trek" has never been as popular overseas).

"'Into Darkness' did 6 percent better than the 2009 'Star Trek' and received an 'A' CinemaScore, so we know people love the movie," Moore said. "And overseas, it is pacing 82 percent ahead of Abrams' first film."

In Russia -- where sci-fi often suffers, but 3-D is enormously popular -- "Into Darkness" debuted to $8 million, four times the opening of the 2009 reboot, which topped out at only $4 million.

Moore says "Into Darkness" could ultimately double the $127 million earned by "Star Trek" in its entire run internationally.

"Into Darkness" returns Chris Pine and Zachary Quinto in the roles of Captain James T. Kirk and Spock. Other returning castmembers include Zoe Saldana, Anton Yelchin, Simon Pegg, John Cho and Karl Urban. This time out, a scheming villain played by Benedict Cumberbatch resorts to terrorism to threaten Earth.

Paramount and Skydance co-financed the $190 million tentpole, and produced alongside Abrams' Bad Robot. The script was written by Roberto Orci, Alex Kurtzman and Damon Lindelof.

In the U.S., "Into Darkness" skewed male (64 percent) while 73 percent of the audience was over the age of 25.

IMAX theaters turned in big numbers thanks to Trekkies who wanted to see the film in a large-format, with 336 theaters taking in $13.5 million.

There is no doubt but that "Into Darkness" faced tough competition from "The Great Gatsby" and "Iron Man 3." In its third weekend, Disney and Marvel Studios' "Iron Man 3" came in No. 2 domestically with $35.2 million. The billion-dollar baby has now taken in $337.1 million in North America and $736.2 million internationally for a total $1.07 billion, the No. 9 film of all time.

"The Great Gatsby," from Warner Bros. and Village Roadshow Pictures, placed No. 3 domestically, falling 53 percent in its second weekend for a handy cume of $90.2 million.

13 photos to get you in the mood for "Star Trek Into Darkness"

Warners' belief that "Gatsby" would serve as counterprogramming to action fare is paying off and already marks Luhrmann's biggest success to date in North America, not accounting for inflation (his previous best was the $57.4 million grossed by "Moulin Rouge!")

"Gatsby" also marks Luhrmann's best opening overseas, coming in 38 percent ahead of Australia ($30.4 million) and "Moulin Rouge!" ($13.8 million). The 3-D film did nice business in numerous markets, including earning $6.2 million in Russia and $6.1 million in the U.K., despite "Fast and Furious." It placed No. 1 in France with $4.7 million, buoyed by its premiere in Cannes.

At the U.S. specialty box office, Noah Baumbach scored with the debut of his black-and-white independent film "Frances Ha,"which grossed $134,000 from four theaters in New York and Los Angeles for a location average of $33,500.

Source: http://www.today.com/entertainment/star-trek-darkness-boldly-goes-84-million-box-office-1C9984550

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